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Peter Bart


Peter moved to Deadline in 2016 from his longtime home at Variety, where he had been a fixture since 1989 as that trade's Editor-In Chief. He began his career as a staff reporter for The Wall Street Journal and The New York Times before his entry into the movie business, becoming Vice President for Production at Paramount. At that studio, he played a key role in such films as The Godfather, Rosemary’s Baby and Harold & Maude. He later served as Senior Vice President for Production at MGM and, later, as President of Lorimar films. Peter is also the author of nine books, and is a member of PMC's board of advisors.

More From Peter Bart

Peter Bart: Opportunity & Disaster Loom Side By Side For Indie Film Launches, Especially In Theaters

Peter Bart: After ‘Top Gun: Maverick’s Setbacks And Delays, Its Star Is Back In Cruise Control

Peter Bart: It’s Back To The Future For The Box Office If ‘Top Gun’ Sequel Hits Stratosphere

Peter Bart: Disney’s Storytelling Genius Does Not Extend To Its Own Corporate Narrative

Peter Bart: CNN+ Fail Widens Chasm Between Rupert Murdoch’s Fox News And Everyone Else

Peter Bart: Broadway Openings Set Breathless Pace, Testing Frazzled Critics And Taunting Virus

Peter Bart: ‘The Offer’ Spins A Mafia Tale About ‘The Godfather’ That’s Really More Fiction Than Fact

Peter Bart: Judd Apatow & Paul Feig Favor Comedy Over Cohesion In Two New Projects

Peter Bart: Corporate Hubris Makes For Embattled CEOs, But Good TV

Peter Bart: In A Chaotic Year, Will Oscar Voters Feel Better About A Feel-Good Best Picture Winner?



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