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Film Review: Regency-Era Rom-Com ‘Mr. Malcolm’s List’
The recently accepted fashion of populating period British romantic melodramas with actors of color, notably in Netflix's ongoing hit series Bridgerton, continues with Mr. Malcolm's List, a nicely decked-out, dramatically conventional tale of Regency-period matchmaking dizzily spinning out of the participants'…
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‘Civil: Ben Crump’ Review: Documentary Chronicles Life Of Civil Rights Attorney Ben Crump
The Netflix documentary Civil: Ben Crump follows civil rights attorney Ben Crump, who often represents marginalized clients in wrongful death, injury, police brutality and discrimination lawsuits. Director Nadia Hallgren follows Crump and his various cases, including his most high-profile one against the city of…
‘Lightyear’ Review: Chris Evans Is The Voice Of The Biggest Spaciest Hero In The ‘Toy Story’ Universe
A spinoff was bound to come out sooner or later. Did we need an origin story to the Buzz Lightyear character from Toy Story? No. But the Lightyear film by Angus MacLane certainly does know how to build a world around the character we only learned about through the Pixar franchise. The film is about a flight, failure…
Tribeca Review: B.J. Novak’s Feature Directing Debut ‘Vengeance’
B.J. Novak is looking for American truth in the dark comedy Vengeance, his feature directorial debut. He's amassed an all-star cast including Issa Rae, Dove Cameron and Boyd Holbrook for the movie about a city-slicking mid-30s man who travels to Texas and gets more than he bargained for in a comedy of errors created…
Tony Awards Review: The Highlights, Some Lowlights & All Praise For The Unstoppable Ariana DeBose
The Lehman Trilogy, Company, A Strange Loop, MJ and Sweet Charity were among the big winners at tonight’s Tony Awards. And Sweet Charity wasn’t even staged this season.
Credit Ariana DeBose for the blink-and-miss-it shout-out to the Bob Fosse classic — and for much else that went right with tonight’s fast-moving…
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By Greg Evans
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Tribeca Review: Kyle Allen & Kevin Bacon In Director Kyra Sedgwick’s ‘Space Oddity’
Blasting off Sunday evening at the Tribeca Festival, Space Oddity is a small, character-driven dramedy of one young man’s odd life-altering plan to take a one-way ticket to Mars just as love and family intervene on his plans. If that premise sounds improbable, it actually is the kind of thing that seems to be popping…
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By Pete Hammond
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Tribeca Review: Ray Romano Directs, Writes And Stars With Laurie Metcalf In ‘Somewhere In Queens’
Although Ray Romano has dabbled in writing quite a bit, including a series he created called Men of a Certain Age, the star (best known for the Emmy winning sitcom Everybody Loves Raymond, which certainly contained lots of material drawn from his own life and family experiences) is now moving to the big screen with…
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By Pete Hammond
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January 6 Primetime Hearing Proves A Slow Start At Unraveling A Dreadful Day In American History – Commentary
Editor’s note: This post on the Jan 6 committee hearings by our TV critic Dominic Patten has been reclassified from a review to a commentary, and has been edited to better reflect the author’s point of view. In trying to opine that the presentation of evidence about a horrific day in American history did not rise to…
Tribeca Opening-Night Review: Jennifer Lopez Documentary ‘Halftime’
"It takes a while to warm up to me," says Jennifer Lopez in a pep talk to the troupe of admirably stoic dancers she's been putting through the wringer for several months. The same is true of Amanda Micheli's documentary Halftime, a scattershot and largely anodyne portrayal of the actress-singer that snatches enough…
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By Damon Wise
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‘Pistol’ TV Review: Danny Boyle & FX’s Sex Pistols Miniseries Is More Junk Than Punk
Johnny Rotten was right to sue to stop FX's Pistol from going forward.
The Sex Pistols and PiL frontman ultimately was unsuccessful in his legal efforts last year to prevent the seminal band's music being used in the Danny Boyle-directed miniseries. However, Pistol, which dropped in its entirety today on Disney-owned H…
Cannes Review: Chie Hayakawa’s ‘Plan 75’
A diet of rice and tofu, plenty of regular, gentle exercise and excellent hospitals: the Japanese have nailed the formula for getting old prolifically. With a little less than 30% of the population over 65, Japanese society is now officially termed as "super-aged." Meanwhile, thanks to a low birth rate and an…
Cannes Review: Leonor Serraille’s ‘Mother And Son’
When his mother spoke, Ernest remembers, everything sounded important. "I cling to her light," he tells us in voiceover, an adult remembering how that felt. The Ernest he is recalling is just a little boy (Milan Doucansi), snuggled against Rose (Annabelle Lengronne, a wonderfully vivid presence), with his grave and…
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